frenchman tanov hits the monique musique imprint with 2 techno stompers. dark vocals and a repetitive bassline take control of the a side whilst on the b side a heavy hitting snare leads the infectious groove into a long break with some great effects. essential release in the mm catalog.

kelpe makes his first outing on don’t be afraid as part of their coveted dba dubs series. monte verità sees the london based beat veteran at his housiest (sic) yet. the track sports a low slung four to the floor and a deadly analogue funk bassline. kevin reynolds improvises on the original with a more upbeat outsider house groove and an acid line guaranteed to bring the dancefloor to its knees. since coming to the attention of dc recordings in early 2003 kelpe has released three albums, the latest of which *the golden eagle* dropped this year to critical acclaim. detroits kevin reynolds has consistently turned heads with his unique take on the modern house sound. as well as releases on his own nsyde recordings he has appeared on cult us imprints like todchai and love what you feel.

ambivalent & michael l penman debut on ovum with *shimmer*. having found a very fruitful collaborative friendship, michael l penman and ambivalent (aka kevin mchugh) have begun exploring the intersection of their approaches to music-making. they originally connected when kevin discovered michaels music in 2010. after playing many of his productions in his dj sets and including them in a mix-cd (_ground) release for minus, kevin made contact and the pair began exchanging files and swapping ideas. this led to time in the studio together and yet more file exchanges. quickly a natural creative balance emerged as they found that their production techniques were complementary as is their shared love of groove, bass and musicality. for their ovum debut the duo have delivered a trio of tracks that have those three elements at their core. title track shimmer brings together raw jackin funk with a warm driving bassline and scything techy stabs whilst chevalier matches its fun bouncy groove with an infectious and spritely melody. final track memogram comes heavy with the oldskool, delivering a bed of beats and samples beneath the very heaviest of acid-kicks. not for the feint of heart!

the ep kicks off with night escape has a melodic synth line coupled with the funky bass line to give the track a groove that will be an essential in everyones crate. the breakdown leads the listener into a different direction before coming back around and dropping into a funky groove. the second track press start which uses a sub bass line that will tear through dance floors. rhythmic percussion accompanies the bassline before powerful stabs are introduced to the mix to give the track a unique character

> cant wait<,is reminiscent of some of vonstrokes deeper classics while also pushing further into new territory. a sense of restraint and release play games throughout this melancholy tune with a fat bassline locking down the groove. >cant wait< has fleeting moments of euphoria that are both surprising and uplifting especially for a summer open air crowd. coming up strong on the b-side, >the clapping track< shows us the fun side of vonstroke where he cuts apart 16 claps and then brings them back together - building up to a standing ovation as a resonate organ sounds. this house anthem has already been destroying the dirtybird ibiza residency and summer festival circuit as well.

first up sees the new methodology track in full on dance floor assault mode - serious break-fuelled techno with rolling drums, off beat funk elements and big stabbing chords moving in and out of fx laden atmospheres at a fairly furious pace. the b side introduces yet another incredibly talented producer from the iridite stable - mike singleton is a regular dj at glasgow s internationally famous monox club as well as being one of the chief tech-heads and all round music know-it-alls at rubadub records. his track here will appeal to anyone who likes to be genuinely shaken up by a track - it s got the lot - cutting edge production techniques, heartfelt melody, intricate and complicated programming, bassline turning and twisting almost inside out, fantastic fx, but most of all >the funk<! methodology round things up with another mutant house/techno hybrid track - all shuffly percussion, filtered samples and a mournful, string laden climax, layered with weird bleep-ing riffs and super-sub bass

midnight moves. thats what comes to mind when you listen to cale parks s n1, preferably at an hour long after dusk has settled around you in some beautiful, insomniac city. parks finds – or more aptly, seeks – beauty and grace in ambience and shadows. n1 starts as pure atmosphere – it feels at first like a sort of lovely sonic nothingness slowly taking form – before growing into the darkly lit, gorgeous moodscape it later becomes. a sensual bassline, a pulsing downbeat, a cinematic piano, strains of italo disco, and the sensation of breezing down a lightless road. if you could make sensuous shapes of the night – imagine kneading the dark itself – it might, at the very best, feel like this. the task of remixing parks s original is taken up by french duo paradis, who can otherwise be heard making music on tim sweeney s beats in space label. the paris-based producers shine a brightening light on parks s dusky creation, quickening its pulse and trading in its darkwave undercurrents for enlivening techno and house. theres an element of floating here – a dreaminess in the rhythms, an astral aspect to the keys beaming through the beats. and with the addition of vocals, sung in french – a pop finishing touch on a song that already feels like an earworm – the transformation is complete. this excellent introduction to cale parkss music is also his debut release on the hakt label.

first up is dankles *isabigting*. dankle has been steadily making a name for himself over the past couple of years, as part of offmenut records, for his solo production and as one half of phatworld, alongside tich from the squire of gothos. *isabigting* is straight up mutant bassline, with his warped, glass-like bass and hip-hop vocal.

lets pet puppies returns with a stunning release from marcus mixx. recorded in 1987, this cut screams classic chicago house! killer drums from vintage machines, soft melodies, and a bangin bassline. on the flip, the untitled cut churns out another sweet joint with a raw underground basement style.

brazilian foursome funky fat are back with an unmissable summer release . the original ‘jealousy’ is a funk-fuelled ride of unbridled energy, solid grooves and seductive vocals. that shaping up to be another huge release for hot creations funky fat were first seen on the label with the ‘masochist ep’, their joint venture with fellow brazilian stars digitaria, which received critical acclaim across the board for its fresh fusion of electro, disco and pop. fans of the release included the likes of solomun, sasha and claude von stroke. hot creations label boss and hot natured member jamie jones delivers a killer remix of ‘jealousy’ for late night action, cutting the vocal into snippets and working around the infectious bassline with his own crispy hi-hats and rolling drum grooves.

guy andrews has been a prominent name on the underground circuit as of late, racking up a reputable back catalogue with releases and remixes for the likes of hotflush, hemlock and the vinyl factory. andrews has seen heavy support on the aforementioned singles from the likes of lorca, the black dog and a1 bassline, testament to his classy, understated take on house and techno. here guy joins the fina records roster, following a release from dfrnt, a striking indication of the attentive a&r approach of the label so far this year.

otp lands a nice package starring a handful of talent. headlining the bunch is the mysterious room 303 with you dont know me, a solid tail of bittersweet melodies and heartfelt vocals that wouldnt be out of place during strip club after-hours. a2 sees canadian sean roman (whos known for his releases on hot creations, under the shade, strictly rhythm and many more) deliver a joint effort with buddy dick diamonds. together they off us dawn crondlemyers, a bassline driven house track with sprinkled vocals, and a funky synth part snaking around with extreme portamento. the entire b-side dedicates itself to germanys tuff city kids, the alter ego of running backs gerd janson and phillip laur. they nail two solid mixes of room 303s you dont know me, coming up with a change of pace and pushing things into piano and acid house territory...driving and pulsing

rhythm plates re-emergence through their pressed for time label continues apace on this second release, a split 12 inch that pairs a new cut from matlocks finest with solo productions from ant plate as yse and yse saint laurent. hissy warehouse beats, simple chord vamps and rapturous oh-vocals characterise yses dryish yet muscular 99% invisible, whilst plates yse saint laurent contribution when you love me pairs some r&b vocal sampling with drawn out synths and wispy percussion placed on top of a grooving bassline similar to bernard badies 09 mojuba hit move to the beat. rhythm plates submission, i think i ve dreamed this before adds a warming calmness to the ep, allowing a spirited synth line to traverse its arrangement like a geisha float-walking through an japanese garden of snowy arpeggios and moss covered basslines.

emotional relish welcome in their second ep of 2013 with some solo work from scott fraser after a previous collaboration with headman and nitzer ebb vocalist douglas mccarthy. the light sleeper ep pairs two trademark fraser cuts with remixes from the aforementioned relish boss and fellow weatherall acolyte timothy j fairplay. a drab bassline wades *paraphase mine* into the murkier exclaves of synthy territory, allowing headman to lighten the mood by adding some tonal difference in his mix. fraser sets his arpeggios to flutter and bounce in *centreville lapse* with marching snares set to a severed heads styled reverb. fairplay does away with the tracks nosier components, demystifying frasers original for a warmer, eat petting remix.

ron costas brand new ep for trapez features the tracks >bazis puzzle< and >fraaz<, which show his liking for the borderline of house and techno. >bazis puzzle< is a bassline heavy groover that swoons with its kinetic catchiness and polyrhythmic drumming. it is really the amazing sound design, funky and ear catching leads, coupled with sophisticated arrangement that make it a soulful experience for dj and clubbers. >fraaz< is a mesmerizing polyrhythmic dj track, a rhythm rocker, with a fantastic stop and go feeling, a track that constantly builds up tension and releases it in its sensual breaks.

veryyou music kicks off with a catchy ep by solowg – self control is a soulful deep techhouse tune – haunting melody and crisp bassline. remixes are coming from nico pusch (droomshipp, damm), andlee (karera records) and talul (jeahmon!, great stuff).

the london based ross evans is coming up again on numbers with a great 4 tracker. after releases on label such as cocoon, saved, break new soil, cr2 and get physical records, just named a few, we finally put 4 strong tracks on the 26th catalog number. the ep starts with someday acid influenced prime time monster. a2 abzorda shows some catchy deep vibes with a cool atmosphere. on the flip we got two more named deranged with the hypno vocals and the screwing bassline and last but not least stroke my ego with the classic deep house touch. hope you enjoy and play numbers

the second release features multi talented uncanny valley artist jacob stoy. his fascinating bassline cruiser >s51< from the uv 010 is being properly tuned by monomood into a massive acid dirt bike racer, that leaves torn soil behind. on the b side you get another deep techno mover called >dominate< as well as a detroitish and dubby remix by jacob stoy...

canadian producer kevin mcphee made his idle hands debut back in 2011 with sleep and house 44 over a year on, he returns to the label with two floor friendly, house leaning cuts. a-side unwind takes the bumping bottom end and swung drums of early sneak and pairs it with punchy horn stabs and an infectious vocal hook. b-side, a jam, is slightly more subdued but equally as jacking with mcphees trademark loose percussion providing the foundation for lush uk house pads and a heavyweight bassline.

nice price deal !!! >whatever you say<, is a sexy tapeworm, that keeps rolling, triggered by its sensual bassline. a track that has no beginning and no end, but you could call a friend. hanne & lore have remixed whatever you say and whoever follows what they do, you never know what they come up with, but you can expect its going to be dead cool.the guys are magic in the way they bring together different elements, genres and create monster tunes. here hanne & lore have come up here with a dub version working with wonderful tape delays shaping a nice loose and deep traxter that puts a smile on your face

freche fruchte present 4 tracks of deep underground house music.the lead track comes from man of the moment james johnston turn around is an elegant deep houser with a solid timeless feel, next up on the a side is a dark and deep house track with a gospel influence and a ridiculously large bassline from robert reinartz with praise him.
the lead track on the aa side is the result of a collaboration between leigh d oliver and label boss alex alterskye who present a house track bursting with energy and groove, and finally lewis p strips things back with a major underground house workout!

i am sure joe goddard needs no introduction, the co-founder of greco-roman and leading member of hot chip + one half of 2 bears releases this stunning 4 track ep. the title taking over is, as joe says: a reference to that moment when the music at a club starts to really hit you, when it forces you to focus on it and the night ahead. featuring collaborations with boris dlugosch and mara carlyle, taking over is an attempt to make synthesizers sound nice. the lead single from the ep is the step together which was premiered on the b traits (in for annie mac) on bbc r1 last friday. since that announcement step together has received more plays across the bbc networks. we have big plans radio wise for this track and we expect to see a lot more plays forthcoming across, bbc r1, 6 music, 1xtra, xfm and kiss fm.

nice price deal !!! killer 90s analog techno , with a heavy bassline (rumble ratio) tip!!

red axes packs quite some heat, with a weatherbeaten bassline & mixes by rebolledo and marc houle.

capital bass records continues to explore new sonic territories with its second release by spb based analogue-head ponty mython.
the main theme called jesus makes you stomp your feet to its funky beat and phat acid bassline that mutates during the track keeping things deep without getting too religious. futureboogie man christophe does some good work on the remix adding some extra syrup: even more bass plus preachers speech in the middle of the track.
the b-side goes even deeper with blackstreet sampling number u ve got your pr0blems. starting off with the smooth disco beat, little guitar and that catchy male vocal the track changes halfway with addition of funky acid squelches and 4x4 house beat that makes you realize you really, really want to stay at the dancefloor.

for the 3rd strike on exotic refreshment vinyl the georgia-based dj/producer stimmhalt delivers again, a beautiful piece of deep house with catchy bassline and hypnotizing vocal. ep includes also an outstanding nu disco remix made by rotkraft, duo of producers from his hometown tbilisi.

for you records ltd goes vinyl. dompe comes along with a funky summertrack. get cool is a track with tribal percussions, rolling bassline and a catchy saxophon. andy smith completes this ep with a massive remixe

ltd 180gr vinyl repress
after their hot contributions for treats vol. 2, session victim prove indeed that they are on the roll with a funkafied and no holds barred ep that pays homage to their hip-hop roots. move me so starts rather simply, with just a guitar and a vocal, but you can hear a moving bassline and distant rhodes chords creeping up from the background. two minutes into the track and theres still no kick drum, although the level of excitement produced by the magnetic groove is almost unbearable. a filtered drum break finally gives way to a four to the floor beat that should turn any dancefloor into a frenetic party. the track builds with high energy, as the pounding bassline seems to be directly lifted from an early 90s hip-hop classic. the breakdown sees the vocal/guitar loop being played differently until the second part shifts gear and brings more surprises in the mix with the intro rhodes chords coming in and out.

after the joyful mess caused by brandy on adventurous dancefloors, qoso goes deeperwith three subwoofer-friendly tracks mixing house, techno, and just enough sonic dirt. hard on the boulevard has proved its efficiency already on some of the sweatiest parisian dancefloors. solidely grounded on a a slightly saturating bassline, it gets its driving force from a melodic sample fighting to get out of its cutoff filters and will sneaky easily as a peaktime weapon in every dj bag. it is as simple a that, really.

teona will lead the third and penultimate stallions gallop along with home bosconi records. starting from dry scream by alex picone, a forest full of warm sounds and rough that only analogue instruments and a tape recording can give. follows, always on side a, quanto tempo ci rimane a track of the mysterious matrix nightdrivers edited in terms of house by label boss fabio corcos. the vinyl rotates, thoroughbred gallop in the b side, where they find themselves in a syncopated bassline with dirty vibes of i.f.ms, aka marcello napoletano and fran mela, and a broken rhythm and essential characterized by a hypnotic groove that aims at creating an atmosphere featuring in dark clouds, produced by young people from home bosconi, herva and marco daquino aka lifes track.

just be has been riding a wave of success in the past year and further cements this new incarnation with next installment for the mighty crosstown rebels. the massive dont make me wait for you, featuring jesse monroe is a wonky slice of pent up tension and swelling moods, reminiscent of proto garage house classics with a touch of modern slinkiness. as the diva vocal narrative builds with a dirty bassline groove, hypnotic echoes of dont make me wait for you propel the track higher to truly captivate the dancefloor. the more tangled 5am remix comes courtesy of rebel wunderkind subb-an

ms. smooth socal soul meets mr. nocal dirtybird swagger and they have a baby together. that baby is justin jay and at 19 years old he is already making his 3rd appearance on dirtybird. i have a feeling this is justin jays breakout record. the a-side static is at 119 bpm and will sweep you up then rip your pants off. but even when you get hit with the massive bassline, an old school anchor stays intact. waves b-side has a classic deep dirtybird feeling, with tuned 808s and a surprising melodic element showing off the sweeter side of this up and coming young gun. justin jay has more potential than anyone i have heard in a while and if he continues to play like he has been lately, he has a long dj career ahead of him as well.

on different ends ep diaphan music returns with a 3 tracks strong ep featuring last mood, kindimmer and the collaboration between george p. and wichniowski. starting with staged authenticity, last mood builds a solid house fundament around a hypnotic bassline followed by kindimmer who gets you jackin again with his stab driven track bprick. site b contains a rough house cut called life in sequences being a result of a studio jam of george p. and wichniowski.
supported by: brothers vibe, ekkohaus & more

what happens if you ask two up and coming and highly talented uk producers to create a track for local talk, then get a hyped house duo from manchester to remix it? you get the bitter love ep from the true rebels together with a fierce remix from deep space orchestra. its two very different takes in both tempo and energy. the original version is a battle of piano stabs with a bouncy yet filthy bassline that results in midtempo house burner with a slight techy feel. the deep space orchestra remix takes us straight to detroit, fusing classic techno sounds together with modern house.

amoss bring a fresh take on nitris survivors, delving into new depths to deliver an injection of sinister overtones and sound manipulation that the duo have become known for. snappy drums, live hi-hats and a bassline of boulder-like proportions.
laser gun: another fresh original cut from the brazilian, nitri delivering a ridiculously deep, sub laden track. with an almost liquid like atmosphere this track shifts and surprises with its simple yet effective combination of bass and percussion.

odd004 is the first various artists release from odd socks, and marks the beginning of a series titled trips & trinkets. returning to the label a year since he kicked things off for us, josh t teams up with bristols arkist for their track fleabag – with chunky slomo grooves and funk sensibilities dripping all over an infectious beat.ad bourke joins the ranks with his sunday afternoon stroller, water sign. warm bassline grooves and fluttering flute samples sandwich delicate, wavering rhodes. on the flip, leeds-based tms’s debut release individualism is a dreamy little number that twinkles and plods around live hi-hats and a full-bodied bassline. saine rounds things off with his dramatic, heartstring-pulling should-be-a-movie-score epic, ratio.

our leader unveils yet another facet of his production arsenal, this time turning a housey cheek, courtesy of sa ensual, yet chopped-to-bits vocal. the jacking rhythm section skips along in pure style, keeping the tight bassline in check while frantic edits help i need you to fully unfold. stefano noferini nods to the old school in this double outing, and furios blasts out with a nostalgic bassline and intense beeping action over a crackling rhythm section. the title track goes for more heady territory with a hypnotizing vocal seeping in and out of the cracks, while the trademarked noferini groove keeps the bubbling subs in check. the undisputed groove don, dj pp, graces 1605 with revolver amo & navas beef things up even more with their crunchy rhythm section, and opt for a dubbier vibe with their trademarked stomping groove and spacious, low-end percussive magic. dj fronter leads us into another bouncy ride with the percussion-led cntrl and next taking the lead and rolling out into action

mr. munk is back! having released nothing since 2 years - now he comes back with misterio: an ousider house bomb that sounds like the perfect follow-up to his last albums hit la musica. misterio starts like a normal house tune. based on fat house drums and a catchy bassline. but after the intro it turns into crazy new wave funk. new york early 80ies style. fucked up guitars and a guy shouting in brazilian, spanish and english languages.

the argentina-based dj/producer-team delivers fool me,an outstanding deephouse-nudisco fusion with diva vocals and a massive bass. on the flipside personality brings everything back to the underground with a deep spoken-word-bassline tune with the outstanding performance

xamiga are back - legowelt & xosar team up to deliver 3 tracks of deep aquatic techno and freaked out house jams for m division recordings! following their debut ep on rush hour, this 3 track super limited edition 10 inch on blue vinyl starts with the title track oceania. breakbeats meets ethereal chants and hazy aquatic synths, like a lost afx record from the early 90s. next up, atlantis force code - euphoric house chords submerged by a wet blanket of swirling pads. lastly, one strictly for freaked-out late night dancefloors - xosheeba - jacking beats, a tough bassline and a gnarled phantom vocal stabs.

*** vinyl only release***
we present a brand new artist with the debut ep from rydim, an alias from a well known producer who wishes to let the music of his new project do the talking.nash has been exclusively road tested by label boss kevin griffiths over recent months & is a big track for the dancefloor with hooky vox, percs and killer bassline. another tsuba ltd essential.

nice price deal !!! limited 10 inch clear vinyl with hand stamped logo... s.o.b. is the alias for the new partnership of dave jarvis (moton records / faith) alongside richard rogers (black booby). rolled stone opens like a phoenix rising from the ashes bathed in golden light, before shuffling rhythms and a hooky low slung bassline make you shake your rump to the funk. on the flip givin is a swirling heady 4/4 number with soulful vocal licks.

no stranger to the basic fingers camp koko have already graced us before and thats why we are also bringing him back a third time for another release with rnb & soul drenched disco gems. light of the worlds >time< has got everything you need to encourage feet movement. an infectious bassline, horns, strings, percussions, sing-a-long-chorus and is presented in beautiful way, giving the original enough room to breathe. flip over for a great re-edit of melisa morgans >fools paradise< - funkier than a mosquitos tweeter!

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

the pirhana prodigy remix is a 166 bpm superb speedbreakbeat enhancer. rihanna sos remix is a 140 bpm dubsteppaz meeting breakbeat for a massive bassline effect... supa clean prod.

riding high on the wings of their previous release pulling strings on their red series, eclectic avenue records bring us rear002 deep in it by small giants. small giants is the wonderfully ingenious marriage between leeds based label manager jacob kelly (j.cub) and the chicago house legend joshua iz. combining their skills, they have taken a heady guitar lick, underpinned it with a smoothly infectious bassline and sewn it all together with a warm soothing vocal sample. call it house, call it disco. either way, it is a surefire dancefloor killer and will take pride of place in any dj or collectors record box. flip her over for a remix by leeds darlings pbr streetgang. currently the hottest thing to come out of dance musics unofficial capital, the cheeky duo have put their own twist on the original by filling the track out with some chuggier deeper vibes whilst highlighting the instrumental solos. a hugely successful foray into a funkier tone for what promises to be another trophy in the e.a.r cabinets.

limited 200 black vinyl pressing in custom brown record jacket with black inner sleeve.
the deeply layered rhythms and atmospheric elements that refracted shows across the four tracks on along a ghostly trail make a perfect match for silent season, as the berlin based newcomer joining some illustrious company in the shape of stl, djorvin clain and edanticonf in contributing to the canadian labels rise. clouds of sub bass meld rhythmically with the stripped back percussive lilts of enlightenment as they traverse a scenic back drop of textural atmospherics, whilst the title track is similar in tone if imbued with a spectral feeling that justifies the name. contrasting this, both oo-koo-he and hyperdimension are gloopy bassline lead arrangements that slowly swell around the senses.

the latest offering from san franciscos icee hot label finds the young imprint officially welcoming another artist to its gradually expanding roster. that said, contakt isnt exactly a stranger. the michigan-reared, new york-based producer is one of the founders and resident djs at brooklyns turrbotax® party, which has long been a sort of sister party to icee hot. contakt has previously released music for respected outposts like local action, grizzly, and dutty artz, but nobody else and tessera 04 find him taking an important step forward as an artist, delivering tunes that are richer and more really realized than anything from his past. particularly on nobody else, contakts flair for big-room melody remains intact, but he takes notes from classic kms, filling out the songs cresting synths with a full-bodied bassline, a hooky vocal sample and a sturdy rhythmic underpinning. tessera 04 goes deeper, channeling maurizio while delving headlong into a dense cloud of synths and maintaining a steady sense of forward momentum. on the flipside, icee hot resident ghosts on tape continues his recent hot streak, infusing nobody else with punchy drumwork and a potent rave sensibility. detroit legend robert hood then rounds out the release, transforming tessera 04 into a pulsing and purring slice of heady analog techno.

something in the slum went rum-pa-pum-pum. this one is representing thugs ghetto side as we welcome one of the truest soldiers in the game. straight out of norway, dj sotofett, co-owner of the ground breaking sex tags mania / wania & sex tags amfibia labels. bumpin across the 12 inch ep features 3 remixes and 1 interlude as well as custom label graphics by so-phat aka dj sotofett. recordings based on original versions by nick anthony simoncino & mark rogers. remix & devious production, drum programming, digital editing and dubs by dj sotofett. casio vl-1, piano & mc-202 bassline in session by tapes. background vocals by paleo. recorded at 6th-eonmania-fract2 std. final production and mix at 6th-transwania- fract2 std, santiago, chile.